1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market. Related Paintings of Raja Ravi Varma :. | Krishnaraja Wadiyar IV and Rana Prathap Kumari of Kathiawar | Harischandra and Tharamathi | Galaxy of Musicians | Jatayu Vadham | Rajaputra soldier | Related Artists:
PRETI, MattiaItalian Baroque Era Painter, 1613-1699
Italian painter and draughtsman. Although he was trained and had his first success as a painter in Rome during the 1630s and 1640s, he is traditionally associated with the Neapolitan school. It was in Naples between 1653 and 1660 that he made his most lasting mark (see fig. 1), contributing to the evolution of the exuberant late Baroque style and providing an important source of inspiration to later generations of painters, notably to Francesco Solimena. From 1661 he was based in Malta, where his most substantial undertaking was the decoration of St John's, Valletta. Preti's mature style is intensely dramatic and unites a Caravaggesque realism and expressive chiaroscuro with the grandeur and theatricality of Venetian High Renaissance painting.
LINARD, JacquesFrench Baroque Era Painter, ca.1600-1645
French painter. He was in Paris by 1626, and his first securely attributed still-life work is dated the following year. He lived in the Saint-Germain-des-Pr?s district, where a number of French still-life painters such as Louise Moillon and Lubin Baugin worked alongside Flemish artists specializing in this genre. In 1631 he was created Peintre et Valet de Chambre du Roi, a post that guaranteed him a degree of financial independence. Linard's works of 1627-44 were mainly of fruit and flowers; with Louise Moillon, however, he was among the first French artists to combine successfully the female form with still-life elements, as, for example, in Woman with Flowers and Woman with Fruit (both Paris, priv. col., see Far?, 1974, pp. 22-3). A painting such as Basket of Flowers (Paris, Louvre) owes something to Flemish prototypes in the anachronistic grouping of flowers that span several months. Patiently recording the flowers as they bloomed, and working on the picture from a series of drawings and sketches, Linard demonstrated his commitment to working from nature. However
Woolner, Thomas1825 - 1892,English sculptor and poet. He ranks with John Henry Foley as the leading sculptor of mid-Victorian England. He trained with William Behnes and in 1842 enrolled as a student at the Royal Academy, London. In 1844 he exhibited at Westminster Hall, London, a life-size plaster group, the Death of Boadicea (destr.), in an unsuccessful attempt to obtain sculptural commissions for the Houses of Parliament. His earliest important surviving work is the statuette of Puck (plaster, 1845-7; C. G. Woolner priv. col.), which was admired by William Holman Hunt and helped to secure Woolner's admission in 1848 to the Pre-Raphaelite Brotherhood. The work's Shakespearean theme and lifelike execution, stressing Puck's humorous malice rather than traditional ideal beauty, made it highly appealing. Although eclipsed by Hunt, John Everett Millais and Dante Gabriel Rossetti, Woolner was an important figure in the Brotherhood. He contributed poetry to its journal, The Germ (1850), and his work was committed to truthfulness to nature more consistently than that of any other Pre-Raphaelite, except for Hunt. This is evident in Woolner's monument to William Wordsworth (marble, 1851; St Oswald, Grasmere, Cumbria).